A young mother listens to distressing radio broadcasts that warn of an impending nuclear attack. As she waits for her children to return home from school, the interference begins to take hold.

The first part of the Carolyn Carlson cycle. Between her and herself. Three images of the dance are repeated, come up against opacities that do not let themselves be crossed, are lost in transparencies from which there is no reflection. The sound describes their inevitable journey: this motionless movement.

Jimmy and Carolyn are the original rebel without a cause born and raised in rural Charlestown, Rhode Island and the Italian-American big city beauty queen from Providence who married as high school sweethearts in 1959. On a whim, to celebrate Jimmy’s 75th birthday on Labor Day, Jimmy and Carolyn decide to drive up from Florida to Westerly, RI to surprise their son, James, and his partner, William, a landscaper from Costa Rica. The bigger surprise that awaits them is the emotional crisis threatening to destroy James and William’s twenty-year relationship. Returning home to New England triggers painful memories and crushing regrets for Jimmy and Carolyn, revealing darker truths between the Pinot Grigio and the pepperoni loaf, as all four struggle with the past and the now-or-never choices they face if they are to remain a family.

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When two sisters can no longer go on living with the painful memory of their baby sister being murdered 37 years ago by their stepmother, together they try to uncover the truth.

In the main courtyard of the Palais des Papes, dancers Hugo Marchand and Caroline Osmont perform among Jean-Michel Othoniel's works, choreographed by Carolyn Carlson. A powerful show, accompanied by music by Philip Glass and René Aubry.

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An American action drama television series set against the backdrop of an illegal cross-country automobile road race, focusing on the willing and unwilling competitors and, as the plot develops, the unseen puppet masters who sponsor the race.

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